Betty Rubble | |
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The Flintstones character | |
Betty Rubble |
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First appearance | The Flintstone Flyer |
Created by | Hanna-Barbera |
Portrayed by | June Foray (Pilot, 1959) Bea Benaderet (1960-1964) Gerry Johnson (1964-1966) Gay Autterson Hartwig (1971-1980) Julie McWhirter Dees (1987) Betty Jean Ward (The Flintstone Kids, 1993-2000) Grey DeLisle (2001-Present) Rosie O'Donnell (1994 film) Jane Krakowski (2000 film) |
Information | |
Gender | Female |
Family | Roxy Rubble (granddaughter) Chip Rubble (grandson) Pebbles Flintstone (goddaughter/daughter-in-law) |
Spouse(s) | Barney Rubble (husband) |
Children | Bamm-Bamm Rubble (adopted son) |
Elizabeth 'Betty' Jean Rubble (née McBricker) is a fictional character in the television animated series The Flintstones and its spin-offs and live-action motion pictures. She is the black-haired wife of caveman Barney Rubble and the adoptive mother of Bamm-Bamm Rubble. Her best friends are her next-door neighbors, Fred and Wilma Flintstone.
Betty lives in the fictional prehistoric town of Bedrock, a world where dinosaurs coexist with cavepeople and the cavepeople enjoy primitive versions of modern conveniences such as telephones, automobiles and washing machines.
Betty's personality was based on that of Trixie Norton, wife of Ed Norton on the 1950s television series The Honeymooners; each of the four of the series' principal adult characters is an analogue of a Honeymooners character. Much like Trixie spent a lot of her time socializing with Alice Kramden, Betty spent a lot of her time socializing with Wilma, and the two would often end up working together to bail their husbands out of whatever scheme of Fred's had landed them in trouble.
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Betty can be considered the least developed character in the show, as she is rarely seen not following the lead of either Barney or Wilma. In spite of this, Betty is shown to have a distinctly emotional marriage with Barney, which more often included pet names and obvious affection, as opposed to the more dynamic and energetic interaction between Fred and Wilma. The occasions when Betty leads the action are extremely scarce: one episode centers around her working undercover as a gentle old lady to earn money for a present for Barney, and on another occasion the plot for her and Wilma was led by her suspicions of Barney being involved with another woman (which turns out to be Fred in a disguise contrived in order to attend a ball game free of charge). This lack of protagonism (almost as background-set as supporting characters such as Pebbles, Bamm-Bamm or Dino, except for her more continuous presence) makes Betty less of a protagonist as is implied by the general concept of the show.
While the mid-1980s spin-off series The Flintstone Kids depicts Betty as a child, the series seems to be mostly apocryphal, owing to its presenting Betty as a childhood friend of Fred and Barney (the original series asserts that they first met as young adults) and that the four enjoy watching Captain Caveman (The Flintstone Comedy Show aserts that adult Betty is ignorant of Cavey's superhero identity when working with him at the Daily Granite newspaper). Still, the series' assertions that Betty was a childhood friend of Wilma and that her parents ran a convenience store may be considered canon.
As young adults, Betty and Wilma were employed as cigarette girls/waitresses at a resort. There, they first met, and fell in love, with their future husbands, Fred and Barney. Eventually, Betty and Barney were married, presumably not long after Fred and Wilma.
Betty became a homemaker, keeping house with such prehistoric aids as a baby mammoth vacuum cleaner, pelican washing machine, and so forth. Betty, much like Wilma, also enjoyed volunteering for various charitable/women's organizations in Bedrock, shopping, and (occasionally) meeting the celebrities of their world, including "Stony Curtis", "Cary Granite", and "Ann-Margrock". Betty at one time also had a job working for an 'old lady' who turned out to be a young lady in disguise and who was using Betty to pass counterfeit money; this was the only episode centered principally around Betty.
Around the fourth season of the original series, Betty and Barney found an abandoned infant on their doorstep, by the name of "Bamm-Bamm." After a court battle in which they defeated noted prehistoric lawyer "Perry Masonry", the couple were allowed to adopt Bamm-Bamm. The Rubbles never had children of their own.
When Bamm-Bamm was a teenager, Betty gained employment as a reporter for one of Bedrock's newspapers (or, more accurately, news-slabs), the Daily Granite (presumably a parody of the Daily Planet of Superman fame), under the editorial guidance of Lou Granite (presumably a parody of Lou Grant of the contemporaneous eponymous series, and formerly of The Mary Tyler Moore Show). While employed there, she shared various adventures with prehistoric superhero Captain Caveman, who (in a secret identity) also works for the newspaper.
Later still, after Bamm-Bamm grew up and left home, Betty started a successful catering business with her neighbor and friend Wilma, before becoming a grandmother to Bamm-Bamm's twin children, Chip and Roxy.
June Foray voiced Betty in the original pilot titled The Flagstones, although she was busy with other projects at the time- (such as The Rocky and Bullwinkle Show) and was unable to sign on as a regular voice for the series. Bea Benaderet voiced Betty from seasons one to four before resigning in 1964 due to the workload on Petticoat Junction. Gerry Johnson took over the role for the fifth and sixth seasons, as well as The Man Called Flintstone film before taking leave shortly afterword. Gay Autterson Hartwig, Julie McWhirter Dees, Betty Jean Ward, and Grey DeLisle have since all performed the role in later Flintstones media.
In the 1994 film, Betty was portrayed by Rosie O'Donnell,[1][2] a casting decision somewhat controversial with fans as the plus-sized O'Donnell did not match Betty's slender figure from the animated series; O'Donnell reportedly won the role because she captured the high pitch laugh at her audition. Jane Krakowski's version of the character in the second movie was generally received better, though was largely overlooked owing to the film's poor overall reception.
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